Visual Performance Application of Gelled Patterning and Gilding Based on the Dynamic Theory of Visual Perception

Objective: In ancient architecture, gelled patterning and gilding is a traditional decoration craft adopted in colored paintings and murals. Scholars often focus on the techniques and materials used in gelled patterning and gilding. In this paper, from the perspective of the visual perception theory, the visual performance of the gelled patterning and gilding is deeply analyzed, proposing new approaches for craft application and innovation development. Method: Based on the visual gravity theory of Rudolf Anheim, the visual gravity and image effects are explored from the lek line, gilding and pattern of the gelled patterning and gilding. Result: It is proposed that the craft is affected by its own material, volume, Color, and the complexity of the pattern. As a result, there is a variation in visual gravity, giving different visual effects to the image and probing aesthetic feelings and features. Moreover, considering the modern lifestyle and the trend of social development, the practical application feasibility of the craft under the background of rural revitalization is proposed. Conclusion: Through the theoretical research on gelled patterning and gilding, the public can pay more attention to traditional crafts. Meanwhile, a new approach combining modern design with traditional crafts is proposed.