Notes

This chapter contains sections titled: Introduction, Break 0: A Glossary of Key Terms, 1 Memory Machine Myth: The Memex, Media Archaeology, and Repertoires of Archiving, Break 1: Canon and Repertoire, 2 Archival Styles: Universal, Community, and Alternative Digital Preservation Projects, 3 Queer and Feminist Archival Cultures: The Politics of Preserving Fan Works, Break 3: Fan Time versus Media Time, 4 Repertoire Fills the Archive: Race, Sexuality, and Social Justice in Fandom, Break 4: “Works” or “Performances”?, 5 Print Fans versus Net Fans: Women's Cultural Memory at the Threshold of New Media, Break 5: A Femslash Parable of the Print-to-Digital Transition, 6 The Default Body and the Composed Body: Performance through New Media, 7 Archontic Production: Free Culture and Free Software as Versioning, Conclusion: Fan Data: A Digital Humanities Approach to Internet Archives, Appendix: Oral History Project, Demographics, and Ethical Considerations