By Topic

One approach to musical intelligence

Sign In

Cookies must be enabled to login.After enabling cookies , please use refresh or reload or ctrl+f5 on the browser for the login options.

Formats Non-Member Member
$33 $13
Learn how you can qualify for the best price for this item!
Become an IEEE Member or Subscribe to
IEEE Xplore for exclusive pricing!
close button

puzzle piece

IEEE membership options for an individual and IEEE Xplore subscriptions for an organization offer the most affordable access to essential journal articles, conference papers, standards, eBooks, and eLearning courses.

Learn more about:

IEEE membership

IEEE Xplore subscriptions

1 Author(s)
D. Cope ; California Univ., Santa Cruz, CA, USA

The author began Experiments in Musical Intelligence in 1981 as the result of a composer's block (D. Cope, 1991; 1996). His initial plan involved creating a computer program that would have a sense of his overall musical style. It would track the ideas of a current work such that at any given point the author could request a next note, next measure, next 10 measures, and so on. The author hoped that this new music would not just be interesting but relevant to his style and current work. Having very little cognitive information about his style, however, the author began creating computer programs that composed complete works in the styles of classical composers, about which he knew something more concrete

Published in:

IEEE Intelligent Systems and their Applications  (Volume:14 ,  Issue: 3 )