By Topic

Modelling musical instruments in the digital domain

Sign In

Cookies must be enabled to login.After enabling cookies , please use refresh or reload or ctrl+f5 on the browser for the login options.

Formats Non-Member Member
$31 $13
Learn how you can qualify for the best price for this item!
Become an IEEE Member or Subscribe to
IEEE Xplore for exclusive pricing!
close button

puzzle piece

IEEE membership options for an individual and IEEE Xplore subscriptions for an organization offer the most affordable access to essential journal articles, conference papers, standards, eBooks, and eLearning courses.

Learn more about:

IEEE membership

IEEE Xplore subscriptions

1 Author(s)
Smith, S.G. ; University of Edinburgh, Edinburgh, Scotland

Digital hardware may be used to generate waveforms as well as to process already-existing waveforms. Several digital synthesis techniques are in use today, most of whose advantages lie in their computational efficiency rather than their utility. Only the methods of synthesis known as additive and subtractive, however, are accompanied by a suitable analysis technique, allowing the accurate extraction of parameters from real waveforms for subsequent use in synthesis. With the advent of VLSI, these techniques are becoming economically attractive for analysis and synthesis of sound. An approach to musical signal processing, based on additive synthesis, is presented.

Published in:

Acoustics, Speech, and Signal Processing, IEEE International Conference on ICASSP '84.  (Volume:9 )

Date of Conference:

Mar 1984